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Conference Appoints Susie Ikeda as Executive Director
[5 September 2018]
The Chamber Music Conference has appointed Susie Ikeda as its next Executive Director, succeeding Marilyn Bell, who is stepping down from that role after having served as Executive Director since 2010.
Susie has a wealth of experience, in her professional life and at the Conference, that makes her ideally prepared and suited for the Executive Director position. She is currently a math and physics teacher at Boston International High School, where her students, all recent immigrants, have achieved remarkable success. Before becoming a teacher, Susie held a progression of leadership positions, primarily in IT, validation, and/or compliance, at Andersen Consulting, Abbott Labs, and Genzyme, with extensive responsibilities including management of teams, projects, and programs.
Susie is well known to the Conference community, having been a violin participant at the Conference for over 20 years, and in recent years having attended all four weeks of the Conference. As a member of the administrative staff since 2012, working closely with Marilyn, Susie has been involved in many critical aspects of Conference operations, and she has become familiar with much of the Executive Director job. Susie also previously served two terms on the Board of Directors of the Conference.
Though her appointment formally takes effect October 1, Susie will begin working with Marilyn immediately on the transition of Executive Director responsibilities.
Four Commissions Planned for 75th Anniversary Season
[31 August 2018]
For the celebration of its 75th season in 2020, the Conference has commissioned four new full-length works: a wind quintet by Stephen Hartke; a quintet for piano and strings (Schubert
Trout instrumentation) by Hannah Lash; a work for winds, strings, and piano (Stravinsky Septet instrumentation) by Elizabeth Ogonek; and a work for winds and strings by Senior Composer-in-Residence Donald Crockett.
Each of the four weeks of the 2020 Conference will feature the premiere performance of one of these works on the Artist-Faculty Concert Series, and the commissioned composer will be in residence at the Conference during that week.
All of the commissions are being funded entirely by major donations from generous Conference participants.
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