Chamber Music Conference
Works with Measure Number Totals by Movement
Last Updated July 13, 2019
Copyright 2019 Chamber Music Conference and Composers' Forum of the East
Ades Catch: The parts and score are pre-numbered.
Anderson Quintet:
The printed rehearsal letters in only edition (Bass-Is) are adequate
without numbering the part.
Arensky Quartet Opus 35: I:213; II:279; III:116
Arensky Trio Opus 32: I:233; II:335; III:78; IV:144;
Malcolm Arnold 3 Shanties Wind Quintet: I:138; II:53; III:180
Arriaga #1 String Quartet: I:226; II:93; III:94; IV:266
Baaren Trio (1936): I:74; II:54; III:91
Bacewicz Wind Quintet: I:204; II:50; III:60; IV:83
Bacewicz Piano Quintet: I: 295; II: 301; III: 100; IV: 162
Bacewicz Trio (1935): I:102; II:47; III:127
Bach Trio Sonata Bwv 1037: I:30; II:141; III:28; IV:80
Bach Trio Sonata Bwv 1038: I:33; II:52; III:17; IV:35
Bach Trio Sonata Bwv 1039: I:28; II:113; III:18; IV:142
Bach Trio Sonata Bwv 1079: I:48; II:249; III:30; IV:113
Barber Dover Beach: total:123
Barber Summer Music Wind Quintet:
The printed rehearsal letters are adequate without numbering the part.
Bartok #1 String Quartet:
I:71; II:367; Introduzione: 33; III:380
In the third movement, do count the single beat general pause bars at
measures 265 and 323.
Bartok #2 String Quartet:
II:577; III:141
In movement I, the cello part is in a non-aligned meter at rehearsal number
8. The printed rehearsal letters are adequate without numbering the
movement. Note also that in the second movement, rehearsal number 10 should
be at bar 109 (it may be wrong in the first violin part.)
Bartok #3 String Quartet:
Prima:112; Seconda:410; Ricap:70; Coda:121
In the second part, there are two places where one player is in a
non-aligned meter. Following the conference convention of counting only
common bar lines, bar 18 is 2 measures long in each part; bar 290 is 2
measures long in the viola part and 3 measures long in the other parts; and
bar 291 is 4 measures long in the viola part and 5 measures long in the
other parts.
Bartok #4 String Quartet: I:161; II:250; III:71; IV:124; V:392
Bartok #5 String Quartet:
I:218; II:56; III:66+65+92; IV:101; V:828
Use the bar numbers as printed in the parts, even though they don't follow
our convention of numbering through the scherzo movement.
Bartok #6 String Quartet: I:390; II:191; III:153; IV:86
Bartok Contrasts: I:93; II:51; III:318
Bax Oboe Quintet: I:94; II:135; III:230
Beach Piano Quintet: I:287; II:129; III:343
Beach Theme And Variations Opus 80:
Please number this work as one movement; total:575;
The final numbers for each section are:
Theme:36; VarI:76; VarII:174; VarIII:208; VarIV:323; VarV:447; VarIV:575
A more simply-notated version of the cello part for the fifth variation is
available at http://chmusic.org/private/BeachOp80Cello.pdf
Beethoven Octet: I:194; II:127; III:116; IV:223
Beethoven Opus 127 String Quartet:
I:282; II:126; III:435; IV:299
The second movement has a number of measures containing changes of meter.
Be sure to count the split measures only once.
Beethoven Opus 130 String Quartet:
I:234; II:105; III:88; IV:150; V:66; Finale:493
Scores (and Henle) contain a repeat of mm. 20 through 33 of the finale,
which is written out in many editions of the parts. Please number your part
to match the score: the second copy of bar 20, e.g., is called '20b', and
rehearsal G is at bar 33.
Beethoven Opus 131 String Quartet:
I:121; II:198; III:11; IV:277; V:498; VI:28; VII:388
Scores (and Henle) contain a repeat of mm. 178 through 186 of the 4th
movement, which is written out in many editions of the parts. Please
number your part to match the score: the second copy of bar 178, e.g.,
is called '178b', and the 9/4 Adagio starts at bar 187.
Beethoven Opus 132 String Quartet: I:264; II:238; III:211; IV:450
Beethoven Opus 133 String Quartet: total:741
Beethoven Opus 135 String Quartet: I:193; II:272; III:54; IV:277
Beethoven Opus 18#1 String Quartet: I:313; II:110; III:145; IV:381
Beethoven Opus 18#2 String Quartet: I:248; II:86; III:87; IV:413
Beethoven Opus 18#3 String Quartet: I:269; II:151; III:168; IV:364
Beethoven Opus 18#4 String Quartet: I:219; II:261; III:98; IV:217
Beethoven Opus 18#5 String Quartet: I:225; II:105; III:139; IV:300
Beethoven Opus 18#6 String Quartet: I:264; II:79; III:68; IV:44; V:252
Beethoven Opus 59#1 String Quartet: I:400; II:476; III:132; IV:327
Beethoven Opus 59#2 String Quartet: I:255; II:157; III:135; IV:409
Beethoven Opus 59#3 String Quartet: I:265; II:204; III:94; IV:429
Beethoven Opus 74 String Quartet: I:262; II:169; III:467; IV:195
Beethoven Opus 95 String Quartet: I:151; II:192; III:206; IV:175
Beethoven Piano Quintet:
I:416; II:112; III:257
Warning: some numbered editions consider the Grave opening of the first
movement to be a movement in itself and start renumbering after bar 21.
If your edition is like that, either renumber from that point or be prepared
to add or subtract 21 on demand to find your spot. Even among Henle editions
this decision has varied over time, so make sure that your final count is
416.
Beethoven Quartet Opus 16: I:416; II:112; III:257
Beethoven Quintet Opus 29:
I:301; II:123; III:158; IV:353
The Henle parts do not conform to Bennington numbering
standards.
Beethoven Septet: I:288; II:115; III:48; IV:137; V:128; VI:227
Beethoven Serenade Opus 25: I:35; II:63; III:75; IV:99; V:39; VI:221
Beethoven Serenade Opus 8: I:34; II:67; III:48; IV:105; V:112; VI:141; VII:34
Beethoven Sextet Opus 81B: I:177; II:86; III:220
Beethoven Trio Opus 1#1: I:293; II:123; III:215; IV:478
Beethoven Trio Opus 1#2: I:462; II:124; III:130; IV:455
Beethoven Trio Opus 1#3: I:360; II:131; III:77; IV:420
Beethoven Trio Opus 11: I:254; II:64; III:211
Beethoven Trio Opus 121A:
total:447
The final numbers for each section are:
Introduction:46; Tema:70; VarI:94; VarII:118; VarIII:142; VarIV:166;
VarV:190; VarVI:214; VarVII:246; VarVIII:270; VarIX:294; VarX:447
Beethoven Trio Opus 3: I:294; II:176; III:86; IV:141; V:68; VI:457
Beethoven Trio Opus 38: I:288; II:115; III:48; IV:137; V:176; VI:227
Beethoven Trio Opus 70#1: I:270; II:96; III:411
Beethoven Trio Opus 70#2:
I:241; II:138; III:188; IV:396
If you are using a pre-numbered Eulenberg score, the numbering system
may differ from the conference standard scheme.
Beethoven Trio Opus 9#1: I:242; II:91; III:129; IV:270
Beethoven Trio Opus 9#2: I:327; II:90; III:116; IV:367
Beethoven Trio Opus 9#3:
I:222; II:55; III:100; IV:229
Every known edition of the parts contains a repeat of mm. 1 through
13 of the third movement that is written out in the Eulenberg score
(and possibly others). This results in a 13 bar discrepancy between
the parts and score. Following conference conventions, number
the score in the following manner: the 14th through 26th measures
should be considered as bars 1b-13b; measure 27, which corresponds in
the parts to the first measure of the second strain of the scherzo,
should be counted as 14.
Beethoven Trio Opus 97: I:287; II:443; III:194; IV:410
Bennett Concerto Wind Quintet: I:173; II:142; III:283
Berg Opus 3 String Quartet: I:186; II:232
Berger Quartet: I:199; II:75; III:151
Bergsma Flute Quintet: I:145; II:64; III:116; IV:159
Berkeley Horn Trio:
I:144; II:75; III:335
There are two incomplete measures in the third movement. Do count
the last measure of Variation VI. (The first measure of Variation VII
is 200.) Do not count the pickups to Variation VIII. (The first full
measure of Variation VIII is 236.
Berkeley Quintet For Piano And Winds: I:182; II:314; III:38; IV:200
Berwald Septet: I:329; II:261; III:336
Bliss Oboe Quintet:
I:184; II:160
One section of movement III mixes meters such that barlines do not
align across the parts. For that movement, the printed rehearsal
numbers are sufficient without numbering the measures.
Bloch Piano Quintet #1:
The printed rehearsal letters are adequate without numbering the part.
Bloch Piano Quintet #2: I:180; II:86; III:250
Blumer Opus 52 Wind Quintet: I:109; II:121; III:130; IV:222
Blumer Sextet:
Thema:24; Improvisation:26; Capriccio:38; Pastorale:27;
Slavischer Tanz:92; Romanze:29; Humoreske:30; Finale:111
Blumer Tanzsuite Opus 53 Wind Quintet:
I:65; II:48; III:103; IV:205; V:138; VI:192
Boccherini-Lauterbach Quintet In C: I:75; II:56; III:48; IV:230
Borodin #2 String Quartet: I:304; II:299; III:180; IV:671
Borodin Piano Quintet: I:111; II:362; III:446
Bozza 3 Pieces Pour Une Musique De Nuit: I:42; II:159; III:53
Bozza Serenade En Trio: I:115; II:49; III:99
Bozza Variations Sur Un Theme Libre Wind Quintet:
The variations are numbered individually:
Theme:28; VarI:40; VarII:38; VarIII:102; VarIV:39; VarV:27; VarVI:83;
VarVII:53
Brahms 2 Songs: I:98; II:157
Brahms Clarinet Quintet: I:218; II:138; III:192; IV:222
Brahms Clarinet Trio: I:224; II:54; III:206; IV:193
Brahms Horn Trio: I:266; II:362; III:86; IV:287
Brahms Opus 51#1 String Quartet: I:260; II:96; III:146; IV:248
Brahms Opus 51#2 String Quartet: I:335; II:124; III:178; IV:359
Brahms Opus 67 String Quartet: I:340; II:95; III:203; IV:224
Brahms Piano Quintet: I:299; II:126; III:261; IV:492
Brahms Quartet Opus 25:
I:373; II:321; III:235; IV:422
The International and Schirmer parts and Dover and Eulenberg scores
contain a repeat which is written out in the Peters and Henle editions.
This occurs in the 4th movement, between 189 and 205. Guessing that
Peters and Henle are the more commonly owned editions, we recommend
that International, etc, users start numbering with 223 instead of 206
after the repeated section.
Brahms Quartet Opus 26: I:375; II:155; III:326; IV:519
Brahms Quartet Opus 60: I:326; II:234; III:122; IV:379
Brahms Quintet Opus 111: I:181; II:80; III:183; IV:287
Brahms Quintet Opus 88: I:224; II:208; III:185
Brahms Sextet Opus 18: I:398; II:159; III:106; IV:508
Brahms Sextet Opus 36: I:605; II:371; III:87; IV:174
Brahms Trio Opus 101: I:234; II:145; III:109; IV:256
Brahms Trio Opus 114: I:224; II:54; III:206; IV:193
Brahms Trio Opus 114: I:224; II:54; III:206; IV:193
Brahms Trio Opus 8:
I:289; II:300; III:99; IV:322
In the Henle Edition, and perhaps others, the 2nd movement has
a D.C. after bar 260 and a D.S. to the Coda after bar 160 in the
string parts, but has this section written out in the piano part.
(Henle also gives incorrect measure numbers for the Coda in the
violin part.) By Conference conventions, this movement
would be numbered as follows: Scherzo, bars 1-160; transition
and Trio, bars 161-260; Da Capo, bars 1-160; Coda, bars 261-300.
Brahms Trio Opus 87: I:367; II:170; III:175; IV:224
Britten #1 String Quartet:
I:199; II:150; III: 119; IV:201
The printed measure numbers in the Boosey & Hawkes edition are sufficient and
should be used in coaching, but note that this edition numbers the work in one
sequence of 669 measures, contrary to CMC convention. Totals per movement, if
numbered according to CMC convention, are provided above for reference.
Britten #2 String Quartet: I:308; II:297; III:203
Britten #3 String Quartet: I:94; II:106; III:64; IV:127; V:128
Britten Phantasy:
total:426
Below are some rehearsal number:measure number guideposts:
#5:58; #8:94; #14:165; #17:195; #21:244; #25:288; #31:363; #34:406
Britten Sinfonietta: I:211; II:92; III:296
Bruch Trios Opus 83:
I:118; II:121; III:115; IV:190; V:89; VI:93; VII:204; VIII:220
Bruch Trios Opus 83:
I:118; II:121; III:115; IV:190; V:89; VI:93; VII:204; VIII:120
Bruckner Viola Quintet:
I:273; II:161; III:173; IV:197
Caveat: the Eulenberg score is based on the 1884 first edition. The
International Edition parts are based on a 1922 revision by Woess of the
1879 autograph. Eulenberg considers the first edition the more
authoritative source. There are many differences between the two versions.
Bruns Opus 16 Wind Quintet: I:171; II:64; III:173; IV:133
Bruns Trio Opus 49: The only edition is pre-numbered.
Busoni Opus 26 String Quartet:
I:350; II:227; III:257; IV:356
The edition has printed numbering but counts both endings in the first
strain of III and therefore totals 261 measures for that movement.
Cage String Quartet In 4 Parts String Quartet:
Use the printed measure numbers, even though they do not follow our conventions.
Canteloube Rustiques: I:248; II:142; III:223
Carter Wind Quintet: The parts and score are pre-numbered in the only edition.
Chaminade Trio Opus 11: I:437; II:83; III:194; IV:311
Chausson String Quartet: I:338; II:132; III:353
Chausson Concerto Opus 21:
I:410; II:91; III:180; IV:468
In the 4th movement, at bar 200 the quartet remains in 6/8 while the
solo violin goes into 2/4 and the piano goes into 3/2. At this point,
the strings will play 2 bars for each bar in the piano. Observing the rule
which states that only common bar lines are counted, the strings should
count every second bar only for the twelve bars of this section. The
measure where the entire ensemble switches to 3/4 is numbered 206, at which
point counting proceeds normally for the remainder of the movement.
Chausson Piano Quartet:
I:469; II:177; III:166; IV:423
You will need your magic pencil to number the 4th movement:
At rehearsal 54, measure 224, the viola goes into 3/2 for 4 bars while
the other voices stay in 3/4. The viola counts every bar; the other
voices count every second bar for eight bars, through measure 228, and
then count every bar to rehearsal 55, measure 232. At rehearsal 55 the
violin and cello go into 3/2 for 4 bars, while the viola and piano remain
in 3/4. Here the violin and cello count every bar; the viola and piano
count every second bar to rehearsal 56, measure 236. From this point on
all bar lines are aligned.
Chausson Piano Trio: I:255; II:437; III:120; IV:405
Chopin Piano Trio Opus 8: I:246; II:135; III:82; IV:303
Clarke Piano Trio: I:197; II:84; III:196
Coleman Afro-Cuban Concerto Wind Quintet:
The parts and score are pre-numbered in the only edition.
Coleridge-Taylor Clarinet Quintet: I:233; II:74; III:154; IV:392
Copland Appalachian Spring: total: 682
Copland Sextet: I:201; II:95; III:241
Cowell United Quartet String Quartet:
I:130; II:69; III:17; IV:77
In the third movement, the violins are in 3/4 while the viola and cello are
in 2/4. There is a common bar line every other bar in the violins and every
third bar in the lower instruments. Number only these common bar lines.
Crawford-Seeger Suite Wind Quintet: I:105; II:33; III:145
Creston Suite Opus 56: I:117; II:94; III:277; IV:6; V:255
Crockett 'The Ceiling Of Heaven': The parts are pre-numbered.
D'Indy Trio Opus 29: I:360; II:456; III:73; IV:391
D'Rivera Aires Tropicales Wind Quintet:
The parts and score are pre-numbered in the only edition.
Dahl Allegro And Arioso Wind Quintet:
The parts and score are pre-numbered in the only edition.
Damase 17 Variations Wind Quintet:
Number each variation separately (Laurie says to!):
Theme:16; I:16; II:15; III:18; IV:16; V:21; VI:12; VII:20; VIII:21;
IX:20; X:19; XI:18; XII:13; XIII:44; XIV:12; XV:24; XVI:23; XVII:32
Damase Trio String Quartet: I:188; II:131; III:263; IV:104
Danzi Trio Opus 71#2: I:194; II:84; III:80; IV:122
David Concerto (1961): The only edition (Doblinger) is pre-numbered.
Davidovsky Quartetto (1987): total:257
De Falla Concerto:
Rehearsal letters are plentiful - numbering should be unnecessary.
Debussy String Quartet: I:194; II:177; III:123; IV:355
Debussy Piano Trio: I:263; II:107; III:66; IV:262
Debussy Sonata: I:83; II:116; III:120
Devienne Quartet Opus 73#1: I:225; II:41; III:242
Diamond Quintet: I:145; II:186; III:81; IV:157
Diamond Quintet (1937): I:173; II:75; III:230
Dohnanyi Opus 15 String Quartet: I:355; II:577; III:185
Dohnanyi Opus 33 String Quartet: I:438; II:270; III:320
Dohnanyi Opus 7 String Quartet: I:536; II:184; III:86; IV:403
Dohnanyi Quintet Opus 1: I:274; II:280; III:116; IV:253
Dohnanyi Quintet Opus 26: I:294; II:246; III:311
Dohnanyi Serenade: I:57; II:53; III:285; IV:155; V:241
Dohnanyi Sextet:
The printed rehearsal letters are adequate without numbering the part.
I:326; II:75; III:351; IV:460
Dring Trio For Piano Flute And Oboe: I:104; II:69; III:90
Durufle Prelude Recitatif Et Variations:
Prelude:53; Recitatif:20; Theme&Variations:213
Dvorak Bass Quintet:
I:285; II:202; III:130; IV:464
Numbers printed in parts probably do not conform to our numbering
conventions. Please check.
Dvorak Opus 105 String Quartet: I:204; II:256; III:102; IV:534
Dvorak Opus 106 String Quartet: I:393; II:202; III:436; IV:547
Dvorak Opus 34 String Quartet: I:369; II:181; III:133; IV:235
Dvorak Opus 51 String Quartet:
I:202; II:302; III:96; IV:398
Numbers printed in parts probably do not conform to our numbering
conventions. Please check.
Dvorak Opus 61 String Quartet: I:321; II:99; III:295; IV:484
Dvorak Opus 80 String Quartet: I:268; II:175; III:?; IV:267
Dvorak Opus 96 String Quartet: I:178; II:97; III:196; IV:382
Dvorak Quartet Opus 23: I:419; II:247; III:422
Dvorak Quartet Opus 87:
I:240; II:87; III:196; IV:290
In the 3rd movement of the International Edition, the piano has a del segno
after bar 196, returning to bar 21; in the string parts these bars are
written out. The numbers in the string parts should restart at 21 at the
double bar after measure 196.
Dvorak Quintet Opus 81:
I:430; II:315; III:335; IV:428
Numbers printed in parts probably do not conform to our numbering
conventions. Please check.
Dvorak Quintet Opus 97: I:281; II:293; III:207; IV:282
Dvorak Serenade Opus 22 (Reconstruction): I:85; II:204; III:323; IV:101; V:393
Dvorak Sextet: I:336; II:164; III:203; IV:258
Dvorak Terzetto:
I:79; II:76 III:166; IV:136
Baerenreiter/Supraphon counts the pickup measures in movements II and IV,
which contravenes our counting algorithm.
Dvorak Trio Opus 21: I:475; II:127; III:230; IV:369
Dvorak Trio Opus 26: I:335; II:92; III:300; IV:353
Dvorak Trio Opus 65: I:342; II:194; III:107; IV:528
Dvorak Trio Opus 90: I:137; II:195; III:182; IV:170; V:160; VI:206
Dvorak Wind Serenade: I:90; II:261; III:116; IV:377
Eisler Divertimento Wind Quintet: I:52; II:72
Elgar String Quartet: I:150; II:292; III:239
Elgar Piano Quintet: I:527; II:215; III:424
Enesco Dixtuor: I:230; II:222; III:258
Enesco Octet:
Tres modere:151; Tres fougueux:429; Lentement:161; Mouvement de Valse:570
Eroed Quintetto Ungherese Opus 58 Wind Quintet:
The parts and score are pre-numbered in the only edition.
Escher Trio (1939): total: 369
Etler Quartet: I:56; II:165; III:52; IV:150
Ewazen Ballade Pastorale And Dance: I:297; II:138; III:190
Ewazen Horn Trio: I: 67; II: 338; III: 146; IV: 136
Ewazen Roaring Fork Wind Quintet:
The parts and score are pre-numbered in the only edition.
Ewazen Trio: I:90; II:194; III:107; IV:269
Farkas Lavottiana Wind Quintet: I:66; II:46; III:60; IV:56; V:180
Farrenc Clarinet Trio: I:405; II:108; III:141; IV:376
Farrenc Nonetto Opus 38:
I:417; II:128; III:334; IV:286
The International Opus Edition is pre-numbered using the convention of
counting all measures in each ending. For this work we will also adopt
this convention. There is also a Phylloscopus Edition of this work, which
will have to be renumbered (sorry); this edition gives a number to each
partial bar.
Farrenc Piano Quintet #1: I:415; II:88; III:169; IV:436
Farrenc Trio Op 45: I:314; II:138; III:316; IV:459
Faure La Bonne Chanson:
I:91; II:49; III:49; IV:67; V:77; VI:79; VII:47; VIII:69; IX:59
Faure Piano Trio: I:342; II:136; III:417
Faure Quartet Opus 15: I:247; II:460; III:105; IV:451
Faure Quartet Opus 45: I:220; II:296; III:115; IV:562
Faure Quintet Opus 115: I:360; II:215; III:144; IV:540
Feld Nonetto: I:97; II:113; III:66; IV:193; V:140
Ferguson Octet: I:121; II:221; III:123; IV:205
Fernandez Quatuor Parisienne: I:118; II:60; III:163
Fibich Piano Quintet Opus 42: I:267; II:109; III:443; IV:533
Fine Partita Wind Quintet: I:123; II:90; III:20; IV:313; V:39
Fine Romanza Wind Quintet: total: 260
Finzi By Footpath And Stile: I:106; II:64; III:46; IV:156; V:194; VI:83
Finzi Interlude:
Rehearsal numbers every 10 bars in the parts and score are sufficient.
Foerster Wind Quintet: I:79; II:153; III:148; IV:?
Foote Night Piece And Scherzo: Night Piece:144; Scherzo:319
Francaix #1 Wind Quintet: I:221; II: 224; III:111; IV:276
Francaix #2 Wind Quintet:
Preludio:21; Tocatta:111; Schezando:140; Andante:67; Allegrissimo:179
Francaix 7 Danses: I:106; II:41; III:41; IV:40; V:75; VI:210; VII:104
Francaix Clarinet Quintet: I:192; II:420; III:82; IV:132
Francaix Divertissement (1954): I:75; II:100; III:76; IV:175
Francaix Divertissement For Bassoon And Strings: I:73; II:31; III:155; IV:143
Francaix English Horn Quartet: I:117; II:38; III:133; IV:57; V:118
Francaix Octet: I:180; II:249; III:64; IV:287
Francaix Quatuor (1955): I:161; II:38; III:205; IV:65
Francaix Trio: I:76; II:101; III:76; IV:175
Francaix Trio (1995): I:153; II:57; III:156; IV:221
Francaix Trio For Oboe, Bassoon And Piano (1994):
The parts and score are pre-numbered in the only edition.
Franck Piano Quintet: I:440; II:109; III:528
Frank Tres Homenajes: Compadrazgo: The parts and score are pre-numbered.
Fruehling Trio In A Minor: I:279; II:237; III:170; IV:287
Fuchs, Robert Clarinet Quintet:
I:219; II:246; III:79; IV:223
Do not count the partial measure at the start of the final 'Tempo I'
after measure 198 in the last movement. Measure 199 is the first full
measure of the 'Tempo I.' The pre-printed numbers in Edition Bernhard
Pauler/Amadeus Verlag do not agree with our rules at this point, so
the numbering of last 25 bars in those parts will not agree with the
numbers as reported here.
Garfield Bassoon Quartet: I:123; II:70; III:366
Ginastera Opus 20 String Quartet: I:229; II:235; III:113; IV:234
Ginastera Opus 26 (Revised 1968) String Quartet:
I:319; II:66; III:266; IV:61; V:206
Glass #3 String Quartet: I:80; II:16; III:88; IV: 37; V:86; VI: 26
Glazunov Cello Quintet: I:323; II:285; III:208; IV:431
Glinka Trio Pathetique: I:161; II:270; III:63; IV:70
Godfrey Dances In Checkered Shade: Parts and score pre-numbered
Goldmark Trio Opus 33: I:386; II:411; III:58; IV:524
Golestan Suite Bucolique: I:71; II:115; III:144
Gottlileb Twilight Crane Wind Quintet: total: 209
Griebling-Haigh Romans Des Rois:
The parts and score are pre-numbered in the only edition.
Grieg Opus 27 String Quartet:
I:616; II:145; III:262; IV:701
The third movement is written in two equivalent forms. The versions diverge
at measure 155. The following scheme will produce a consistent numbering
for the two versions:
Version I] Coda sign at 155--number in the conventional manner.
Version II] First ending at 155.
Number the measures in this first ending and skip the second ending.
Continue at 'piu vivo - 2/4' with measure 167 (skipping first endings).
This section ends with measure 240. Now go back to the second ending
you skipped before and start with 241. The total should be 262, as in
the other edition.
Haas Wind Quintet: I:79; II:83; III:78; IV:66
Hajdu 4 Movements Wind Quintet: I:134; II:192; III:65; IV:157
Hallam Dance Suite Wind Quintet: I:75; II:44; III:82
Harberg Suite Wind Quintet:
The parts and score are pre-numbered in the only edition.
Harbison Wind Quintet: I:99; II:76; III:122; IV:174; V:134
Harbison #1 String Quartet: I:126; II:?; III:159
Harbison Twilight Music: The parts and score are pre-numbered.
Harbison Variations (1982):
I:24; II:24; III:24; IV:24; V:24; VI:24; VII:24; VIII:24; IX:48; X:24;
XI:48; XII:24; XIII:24; XIV:48; XV:24; Finale:76; Epilogue:24
Harris Concerto For Piano Clarinet And String Quartet:
I:104; II:216; III:99; IV:138
Hartley Serenade: I:68; II:107; III:37; IV:68; V:52; VI:86
Haydn Divertimento 18 Hob V:18: I:61; II:50; III:78
Haydn Opus 20#1 String Quartet: I:106; II:66; III:96; IV:160
Haydn Opus 20#2 String Quartet: I:106; II:63; III:86; IV:162
Haydn Opus 20#4 String Quartet: I:298; II:122; III:36; IV:126
Haydn Opus 20#5 String Quartet: I:159; II:99; III:85; IV:184
Haydn Opus 20#6 String Quartet: I:164; II:79; III:42; IV:95
Haydn Opus 33#1 String Quartet: I:91; II:62; III:92; IV:194
Haydn Opus 33#2 String Quartet: I:90; II:68; III:72; IV:172
Haydn Opus 33#3 String Quartet: I:167; II:50; III:91; IV:170
Haydn Opus 33#5 String Quartet: I:305; II:53; III:62; IV:106
Haydn Opus 33#6 String Quartet: I:174; II:50; III:50; IV:114
Haydn Opus 42 String Quartet: I:105; II:44; III:57; IV:103
Haydn Opus 50#1 String Quartet: I:164; II:61; III:64; IV:245
Haydn Opus 54#2 String Quartet: I:233; II:35; III:72; IV:140
Haydn Opus 55#2 String Quartet: I:202; II:180; III:92; IV:118
Haydn Opus 64#2 String Quartet: I:108; II:94; III:62; IV:201
Haydn Opus 64#5 String Quartet: I:179; II:84; III:66; IV:128
Haydn Opus 64#6 String Quartet: I:144; II:72; III:60; IV:192
Haydn Opus 71#1 String Quartet: I:155; II:57; III:70; IV:235
Haydn Opus 71#2 String Quartet: I:125; II:77; III:48; IV:117
Haydn Opus 74#1 String Quartet: I:155; II:174; III:112; IV:285
Haydn Opus 74#2 String Quartet: I:260; II:115; III:78; IV:289
Haydn Opus 74#3 String Quartet: I:197; II:64; III:74; IV:146
Haydn Opus 76#1 String Quartet: I:225; II:95; III:74; IV:200
Haydn Opus 76#2 String Quartet: I:154; II:67; III:52; IV:267
Haydn Opus 76#3 String Quartet: I:121; II:104; III:100; IV:188
Haydn Opus 76#4 String Quartet:
I:188; II:74; III:105; IV:175
The Eulenberg/Dover score has two measures numbered 180 in the first
movement.
Haydn Opus 76#5 String Quartet: I:127; II:97; III:65; IV:291
Haydn Opus 76#6 String Quartet: I:227; II:112; III:156; IV:166
Haydn Opus 77#1 String Quartet: I:189; II:90; III:181; IV:282
Haydn Opus 77#2 String Quartet: I:172; II:127; III:129; IV:195
Heggie Mediations: I:137; II:91; III:102; IV:29
Heiden (1965) Wind Quintet: I:171; II:222; III:99; IV:277
Heiden Horn Quintet: I:127; II:263; III:97; IV:302
Heiden Serenade: I:193; II:110; III:138; IV:150; V:103
Heins Octet: I:205; II:62; III:320
Henze Wind Quintet: I:116; II:45; III:116
Henze #1 String Quartet: I:162; II:67; III:31; IV:124
Herzogenberg Trio: I:267; II:299; III:121; IV:243
Hetu Serenade Opus 45: I:30; II:85; III:108
Hidas #2 Wind Quintet: I:73; II:31; III:71; IV:41; V:142
Higdon Steeley Pause: total:163
Hindemith Wind Quintet: I:75; II:90; III:88; IV:23; V:163
Hindemith (1943) String Quartet:
I:54; II:179; III:244; IV:181
This quartet may be designated either as Hindemith's fifth or sixth
String Quartet on recordings and by the publisher, Edition Schott. Use
the publication date to identify it when ordering the parts, score or a
recording.
Hindemith (1945) String Quartet:
I:130; II:78; III:234; IV:123
This quartet may be designated either as Hindemith's sixth or seventh
String Quartet on recordings and by the publisher, Edition Schott. Use
the publication date to identify it when ordering the parts, score or a
recording.
Hindemith Clarinet Quintet:
Note that this piece exists in two versions: the 1923 original and the
1955 revision, both published by Schott. Be sure to check the version on
your score and part to see that they match, and to use the version designated
for your group. The best (sometimes only!) way to tell one from the other is
from the measure counts:
for the 1955 revision: I:66; II:72; III:316; IV:21; V:65
for the 1923 original: I:74; II:101; III:360; IV:22; V:73
Hindemith Minimax String Quartet: I:37; II:240; III:34; IV:161; V:62; VI:41
Hindemith Octet:
I:280; II:90; III:116; IV:165; V:281
The wind parts and score of Edition Schott are misnumbered in the second
movement, starting between bars 70-80 to the end of the movement.
Rehearsal letter F should be at bar 78.
Hindemith Opus 10 String Quartet:
I:179; II:277; III:682
This quartet may be designated either as Hindemith's first or second String
Quartet on recordings and by the publisher, Edition Schott. Use the opus
number to identify it when ordering the parts, score or a recording.
Hindemith Opus 16 String Quartet:
I:405; II:241; III:787
This quartet may be designated either as Hindemith's second or third String
Quartet on recordings and by the publisher, Edition Schott. Use the opus
number to identify it when ordering the parts, score or a recording.
Hindemith Opus 22 String Quartet:
This quartet may be designated either as Hindemith's third or fourth
String Quartet on recordings and by the publisher, Edition Schott. Use the
opus number to identify it when ordering the parts, score or a recording.
Hindemith Opus 32 String Quartet:
I:289; II:80; III:74; IV:197; V:97
This quartet may be designated either as Hindemith's fourth or fifth String
Quartet on recordings and by the publisher, Edition Schott. Use the opus
number to identify it when ordering the parts, score or a recording.
The first movement has unaligned bar lines between Rehearsal 13 at
measure 203 and Rehearsal 16 at measure 242. Measure 206 is 3 bars long for
everyone; measure 210 is 2 bars long for everyone; measure 217 is 3 bars
long for everyone; measure 218 is 4 bars long for everyone; measure 222 is
4 bars long for everyone; measure 239 is two bars long for everyone; and
measure 240 is 5 bars long for the violins and 4 bars long for the viola
and cello.
Hindemith Quartet (1938): I:256; II:52; III:372
Hindemith Sonata For 4 Horns: I:23; II:171; III:330
Hindemith String Trio #2 (1933): I:190; II:533; III:319
Hofmann Serenade For Flute And Strings: I:203; II:124; III:145; IV:338
Hoiby Sextet:
I:517; Theme:31: VarI:60; VarII:62; VarIII:63; VarIV:29; VarV:55;
VarVI:38; Var VII:45; VarVIII:79; Finale: 93
Holst Wind Quintet: I:126; II:93; III:106; IV:197
Hoover Divertimento: I:160; II:176
Hans Huber Quintet for Piano and Winds: I:188; II:231; III:130; IV:344
Hummel Military Septet: I:231; II:92; III:216; IV:197
Hummel Quintet Opus 87:
I:352; II:230; III:29; IV:298
The count for the second movement includes what would conventionally be
the repeat of the menuetto, which was written out in all parts in edition
Wollenweber.
Hummel Septet Opus 74: I:334; II:235; III:219; IV:380
Husa 2 Preludes: I:49; II:188
Ireland Sextet: I:232; II:115; III:122; IV:297
Ives #1 String Quartet:
I:115; II:186; III:96; IV:170
In the last movement, starting at bar 147, the measures do not line up
across the parts. The common bar lines occur every 4 measures in the
Violin I and Viola parts, every 3 measures in the Violin II and Cello parts.
Number only the common bar lines for 147--149.
Ives Piano Trio: I:90; II:217; III:143
Jacob #1 Wind Quintet:
I:50; II:58; III:114; IV:33; V:139; VI:93
Detail for numbering Movement V, Theme and Variations (Emerson Edition).
Theme:1-18; VarI:19-42; VarII:43-68; VarIII:69-89; VarIV:90-114;
VarV:115-139. So far, so good, but now the clarinet and oboe parts require
a little additional ingenuity in Variation III. In the clarinet part the
first 8 bars (of rest) should be numbered 69a-76a; the second 8 bars (not
rests) should be numbered 69b-76b. The oboeist should note that his 32
bars of rest consist in the other parts of 2 repeated 8-bar sections,
69-76 and 77-84; the final 5 bars (of cues) should be numbered 85-89.
Jacob Clarinet Quintet: The Novello parts have rehearsal numbers every 10 bars.
Jacob Oboe Quartet: I:206; II:142; III:122; IV:289
Jacob Sextet:
I:73; II:115; III:76; IV:80; V:220
In the Musica Rara edition the piano part for movement IV has a repeat
at letter C that the wind parts do not have, causing a discrepancy. To
match the wind parts and the total shown above, the piano part repeat
should be counted twice (1st ending = bars 70-72 and 2nd ending = bars
78-80).
Jacob Trio: I:47; II:92; III:57; IV:173
Jacob Trio For Flute Oboe And Harpsichord: I : 109; II: 55; III: 165; IV: 133
Janacek #1 String Quartet: I:164; II:236; III:103; IV:189
Janacek #2 String Quartet:
Discrepancies among the parts in the marking of
repeats make numbering problematic. Fortunately, the rehearsal numbers
in known editions seem to be identical and completely adequate. The
Baerenreiter edition differs from all other editions and should not be
used unless all players agree to it.
Janacek Mladi Sextet: I:171; II:117; III:180; IV:263
Hunter Johnson Trio: I:255; II:112; III:290
Jolivet Serenade Wind Quintet:I:63; II:154; III:75; IV:141
Jolles One Word More:
I:98; II:89; III:116; IV:67
This count for the second movement includes the double counting of two
short repeated sections because the numbering in the manuscript is done
that way.
Jongen Concerto Wind Quintet: total:477
Juon Arabesken: I:142; II:89; III:136; IV:152
Juon Divertimento: I:169; II:54; III:57; IV:60; V:195
Kahn Serenade For Oboe, Horn, And Piano: total:280
Karg-Elert 'Jugend' Opus 139: total:507
Khachaturian Trio: I:54; II:151; III:247
Kirchoff Trio Sonata: I:79; II:121; III:79; IV:127
Klein String Trio: I:80; II:156; III:208
Klughardt Wind Quintet: I:201; II:82; III:88; IV:282
Klughardt Schilflieder Opus 28: I:82; II:78; III:108; IV:94; V:60
Kodaly #1 String Quartet: I:346; II:171; III:312; IV:542
Kodaly #2 String Quartet:
I:184; II:546
Consider the one beat bar at the beginning of the second movement to be a
pick-up bar and do not count it.
Kodaly Serenade:
I:144, II:79, III:484
The printed rehearsal letters in only edition (Universal) are adequate
without numbering the part.
Kokai Quartettino: I:51; II:77; III:36; IV:102
Koppel Sextet Opus 36:
I: 369; II: 50; III: 300.
The score and parts come numbered, but it is necessary to call
the first bar of each movement "0" (instead of "1") to make things
line up with the printed measure numbers. The totals reflect this
practice.
Korngold #2 Opus 26 String Quartet:
The printed rehearsal letters are adequate without numbering the part.
Korngold Piano Quintet:
The printed rehearsal numbers in the Schott Edition are adequate
without numbering the part.
Korngold Sextet: I:281; II:124; III:166; IV:300
Kraft Cape Cod Sketches: I:99; II:36; III:69; IV:114
Kurtag 12 Microludes String Quartet: It is not necessary to number the bars.
Kurtag Hommage A Robert Schumann: The parts and score are pre-numbered.
Lampkin Migrations Wind Quintet:
Salmon:164; Red Crabs: 112; Broadwing Hawks: 88; The Three-Toed Sloth: 8;
Spiny Lobsters: 141
Larsson Quattro Tempi Opus 55 Wind Quintet: I:94; II:154; III:38; IV:99
Levine Icarus (Flying): total: 224
Ligeti #1 String Quartet: total:1215
Ligeti Six Bagatelles Wind Quintet:
I:47; II:44; III:161; IV:63; V:32; VI:126 (simplified:127)
Loeffler 2 Rhapsodies: I:147; II:156
Loeffler Quatre Poemes: I:138; II:98; III:45; IV:117
Lybbert Trio: I:259; II:145; III:259
Macchia Fantasia Supra Santa Maria Amar: total:447
Martin Piano Quintet: I: 67; II: 338; III: 146; IV: 136
Martinu Bergerettes: I:73; II:69; III:83; IV:111; V:99
Martinu La Revue De Cuisine:
Prologue: ; Tango: ; Charleston: ; Final:
The movements that will be worked on are 'Prologue', 'Tango', 'Charleston',
and 'Final'; some editions contain additional movements.
Martinu Madrigal Sonata: I: 118; II: 211
Martinu Nonet:
I:226; II:90; III:246
The Kalmus Edition has rehearsal numbers at 10 bar intervals.
Martinu Piano Quartet #1: I:232; II:154; III:264
Martinu Quatre Madrigaux:
The printed rehearsal letters in the only edition are adequate without
numbering the part.
Martinu Quatuor (1947): I:203; II:269
Martinu Serenade (1932): I:68; II:59; III:112
Martinu Serenade For 2 Clarinets And String Trio: I:116; II:89; III:119; IV:204
Martinu Sextet: I:187; II:133; III:180
Martinu Sextet For Winds And Piano: I:73; II:59; III:109; IV:50; V:86
Martinu Trio For Flute Cello And Piano: I:123; II:87; III:396
Maslanka #1 Wind Quintet: I:225; II:74; III:205
Maslanka #2 Wind Quintet: I:238; II:177; III:146
Maslanka #3 Wind Quintet: The parts and score are pre-numbered.
Mathias:
I:107 (March begins at 64); II:118; III:158; IV;68;
V:104 (Dance begins at 38)
Medaglia Det Ist Die Brasilianer Luft Wind Quintet:
The parts and score are pre-numbered.
Mederacke Boehmische Suite Wind Quintet: I:77; II:318; III:83; IV:132; V:137
Mederacke Boemische Suite Wind Quintet: I:77; II:318; III:83; IV:132; V:137
Mendelssohn Octet: I:318; II:102; III:241; IV:429
Mendelssohn Opus 12 String Quartet: I:292; II:128; III:65; IV:313
Mendelssohn Opus 13 String Quartet: I:251; II:125; III:163; IV:397
Mendelssohn Opus 44#1 String Quartet: I:374; II:225; III:155; IV:316
Mendelssohn Opus 44#2 String Quartet: I:277; II:244; III:83; IV:515
Mendelssohn Opus 44#3 String Quartet: I:369; II:301; III:131; IV:323
Mendelssohn Opus 80 String Quartet: I:323; II:301; III:120; IV:461
Mendelssohn Quintet Opus 18: I:437; II:135; III:303; IV:354
Mendelssohn Quintet Opus 87: I:372; II:103; III:102; IV:207
Mendelssohn Sextet: I:397; II:85; III:78; IV:283
Mendelssohn Trio Opus 49: I:616; II:93; III:188; IV:321
Mendelssohn Trio Opus 49 For Flute Cello And Piano:
I:616; II:93; III:188; IV:321
Mendelssohn Trio Opus 66: I:399; II:107; III:266; IV:353
Messiaen Quartet For The End Of Time:
I:43; II:55; III:44; IV:73; V:35; VI:109; VII:97; VIII:32
Be careful of measures split across lines.
Milhaud #14 String Quartet: I:131; II:105; III:128
Milhaud #15 String Quartet: I:131; II:105; III:128
Milhaud (1912) String Quartet:
I:171; II:130; III:80; IV:255
This quartet was extensively revised by the composer, with many bars cut.
Coaching will be on the revised work. There do exist parts for the original
work. In the revised parts, the cuts have been indicated by Durand by
printing a fine grid over the excised bars. If your edition does not show
the grid marks, you may have the wrong music - ask for help. Do not number
the cut measures in the revised work.
On the other hand, we have not seen a score of the original work. The
revised score has the bars truly excised rather than crossed out, and can
simply be numbered as it comes.
Milhaud La Cheminee Du Roi Rene Wind Quintet:
I:57; II:79; III:39; IV:82; V:28; VI: 72; VII: 54
Milhaud Reves De Jacob:
Parts pre-numbered. NB: in movement II all parts skip from measure 34 to
measure 36. Go figure.
Milhaud Scaramouche: The edition is prenumbered.
Milhaud String Quintet #2: I:113; II:150; III:70; IV:116
Milhaud Suite: I:48; II:66; III:78; IV:253
Moeran Fantasy Quartet:
Frequent rehearsal letters making numbering the parts unnecessary.
Moravec (2010) Wind Quintet: The parts and score all are pre-numbered
Moravec Northern Lights Electric:
Measure numbers are printed in parts and score.
Moravec Tempest Fantasy: I:162; II:70; III:281; IV:92; V:225
Morricone Trio: total: 413
Mozart Clarinet Quintet:
I:197; II:85; III:124; IV:141
In some editions the third movement Minuet is restated between the trios.
Use the original numbers on the restated sections.
Mozart Divertimento K254: I:220; II:36; III:255
Mozart Divertimento K563: I:187; II:125; III:110; IV:213; V:114; VI:291
Mozart Horn Quintet: I:135; II:113; III:188
Mozart K254 String Quartet: I:220; II:36; III:255
Mozart K387 String Quartet: I:170; II:147; III:106; IV:298
Mozart K421 String Quartet: I:117; II:86; III:63; IV:142
Mozart K428 String Quartet: I:164; II:96; III:104; IV:342
Mozart K458 String Quartet: I:279; II:61; III:53; IV:335
Mozart K464 String Quartet: I:270; II:104; III:186; IV:262
Mozart K465 String Quartet: I:246; II:114; III:103; IV:419
Mozart K499 String Quartet: I:266; II:55; III:105; IV:383
Mozart K575 String Quartet: I:193; II:73; III:114; IV:230
Mozart K589 String Quartet: I:208; II:89; III:103; IV:155
Mozart K590 String Quartet: I:198; II:122; III:75; IV:309
Mozart Kegelstatt Trio: I:129; II:158; III:222
Mozart Musical Joke: I:88; II:94; III:81; IV:458
Mozart Oboe Quartet: I:142; II:37; III:178
Mozart Piano Quintet: I:122; II:124; III:238
Mozart Quartet K285: I:154; II:35; III:251
Mozart Quartet K285B: I:186; II:154
Mozart Quartet K298: I:80; II:32; III:189
Mozart Quartet K478: I:251: II:149: III:360
Mozart Quartet K493: I:251; II:131; III:414
Mozart Quintet K174: I:218; II:55; III:79; IV:315
Mozart Quintet K406: I:231; II:106; III:80; IV:251
Mozart Quintet K515: I:368; Andante:128; Menuetto:114; IV:539
Mozart Quintet K516: I:254; II:90; III:82; IV:335
Mozart Quintet K593: I:260; II:104; III:99; IV:279
Mozart Quintet K614: I:232; II:116; III:97; IV:327
Mozart Serenade K361: I:234; II:131; III:46; IV:88; V:130; VI:175; VII:146
Mozart Serenade K388: I:231; II:107; III:80; IV:252
Mozart Trio K254: I:220; II:36; III:255
Mozart Trio K496: I:194; II:100; III:158
Mozart Trio K502: I:197; II:111; III:241
Mozart Trio K542: I:242; II:115; III:254
Mozart Trio K548: I:180; II:93; III:195
Mozart Trio K564: I:117; II:103; III:159
Muczynski Fantasy Trio Opus 26:
The printed rehearsal letters are adequate without numbering the part.
Muczynski Opus 45 Wind Quintet: I:76; II:48; III:214
Musto Sextet: Parts and score pre-numbered.
Nielsen Wind Quintet:
I:136; Minuet:79; III-IV:265
In the Trillenium edition of the parts, Movement IV is numbered separately.
To match the score, please number III and IV as one movement.
In the W. Hansen edition of the Minuet, the flute and oboe parts have a da
capo after bar 71, while this section is written out in the other parts.
Following the conference guidelines, clarinet, bassoon and horn should
number this reiterated section as bars 1-43, followed by a coda numbered
starting with '72'.
In the Trillenium edition of the parts, the flute part has an 11-bar rest
at the beginning of the Menuet, but it should be a 12 bar rest.
Nielsen Opus 13 String Quartet: I:232; II:130; III:151; IV:323
Nielsen Opus 44 String Quartet: I:392; II:98; III:140; IV:293
Nielsen Opus 5 String Quartet: I:352; II:96; III:252; IV:274
Nielsen Serenata-Invano: total: 190
Nowak Diptych: I:63; II:111
O'Brien Fancies And Goodnights: Parts and score pre-numbered.
Onslow Nonet Opus 77: I:221; II:242; III;197; IV:309
Onslow Opus 81#3 Wind Quintet: I:167; II:200; III:131; IV:202
Onslow Quintet Opus 32: I:314; II:144; III:231; IV:228
Onslow Quintet Opus 67: I:277; II:312; III:147; IV:327
Onslow Septet: I:298; II:315; III;117; IV:294
Papastavrou St. Nicholas Suite:
I:39; II:92; III:62; IV:63; V:56; VI:64; VII:48; VIII:124; IX:76
Penderecki Sextet (2000):
I:416; II:278
The horn part is missing 3 bars of rest in the first movement, from 352 to
354. The printed measure numbers are off after that, as well.
Pilss Wind Quintet: I:42; II:101; III:189; IV:307
Piston Wind Quintet: The only edition is prenumbered.
Piston 3 Pieces: I:79; II:38; III:114
Piston Divertimento For 9 Instruments:
In the only edition (Shirmer) the parts and score are numbered.
Piston Flute Quintet: I:210; II:113; III:160; IV:221
Poulenc Sextet: I:250; II:92; III:225
Poulenc Trio: I:238; II:64; III:212
Previn Trio: I:236; II:128; III:217
Prohaska Bass Quintet Opus 16:
The Musikhaus Hueni Edition has rehearsal numbers at 10 bar intervals
Prokofiev #1 String Quartet: I:261; II:446; III:155
Prokofiev #2 String Quartet: I:159; II:160; III:439
Prokofiev Overture On Hebrew Themes: total:415
Prokofiev Quintet:
I:129; II:40; III:48; IIIa:115; IV:29; V:93; VI:120
Use the 'simplified' version of the third movement, IIIa
Rachmaninoff Trio Elegiaque #1: total: 258
Rassmussen Wind Quintet: I:121; II:73; III:109; IV:150
Ravel String Quartet: I:213; II:198; III:119; IV:278
Ravel Chansons Madecasses: I:84; II:71; III:50
Ravel Introduction And Allegro: total:339
Ravel Piano Trio:
I:117; II:230; III:88; IV:124
In the second movement, do number the one beat measure 215.
In that movement, count only the common bar lines in the section
starting at bar 125 and continuing through number 131.
Ravel-Morelli Ma Mere L'Oye Wind Quintet:
The printed rehearsal letters are adequate without numbering the part.
Reger Clarinet Quintet: I:264; II:301; III:105; IV:237
Reger Serenade Opus 141A: I:292; II:84; III:336
Reger Trio Opus 141B: I:290; II:97; III:292
Reger Trio Opus 77B: I:344; II:90; III:67; IV:208
Reicha Opus 100#4 Wind Quintet:
I:402; II:145; III: 298; IV:456
Partial measures and first endings are counted in the pre-numbered score.
The numbers above are counted using the conference rules.
Reicha Opus 88#2 Wind Quintet: I:235; II:198; III:227; IV:336
Reicha Opus 91#5 Wind Quintet:
I:354; II:112; III:165; IV:382
The Edition Kneusslin parts use the conference numbering scheme.
The parts and score available through the International Double Reed
Society agree with these numbers in movements I, II and IV, but count
2nd endings in movement III, and disagree there.
Reinecke Sextet Opus 271: I:149; II:150; III:293
Reinecke Trio Opus 188: I:208; II:166; III:79; IV:265
Reinecke Trio Opus 264: I:236; II:179; III:98; IV:191
Reinecke Trio Opus 274:
I:226; II:120; III:363; IV:265
In the first movement the score indicates that the movement starts with a
half measure, which should not be counted. In the clarinet part it is written
as a full measure, indicated by 6 bars of rest rather than the correct 5 and
a half. Also in the first movement, bar 37 is split across lines in the score
- be sure to count it only once. Finally, there are lots of missing crescendos
and decrescendos in the clarinet part, requiring careful proofreading by the
clarinetist.
Reizenstein Trio:
I:126(flute/clarinet) 128(bassoon); II:77; III:158
Different meter changes between the flute/clarinet and bassoon parts
result in the 2-measure discrepancy.
Reizenstein Trio In A: I:153; II:120; III:469
Reznicek Sextet: I:72; II:52; III:88; IV:18; V:107
Rheinberger Nonet:
I:246; II:118; III:142; IV:496
The movement II count does not include the da capo.
Riegger Concerto Opus 53: I:182; II:103; III:215
Rieti (1957) Wind Quintet: I:203; II:139; III:78; IV:206
Rieti Sonata A Cinq: I:73; II:130; III:53; IV:137
Rochberg To The Dark Wood Wind Quintet:Parts and score pre-numbered
Rochberg Trio: I:173; II:113; III:403
Ropartz Deux Pieces Wind Quintet: I:82; II:259
Rorem #2 Wind Quintet: I:165; II:127; III:180; IV:105
Rorem The End Of Summer Wind Quintet: I:270; II:103; III:220
Rossini Wind Quartet #1: I:174; II:82; III:113
Rossini Wind Quartet #6: I:67; II:96; III:27
Rossini Wind Quartet 4: I:233; II:61; III:113
Rossini Wind Quartet 5: I:240; II:52; III:133
Rota Clarinet Trio: I:226; II:96; III:348
Roussel Trio: I:138; II:98; III:260
Sacco Divertimento (2008): I:248; II:262
Saint-Saens Caprice On Danish And Russian Airs: total:420
Saint-Saens Piano Trio #1: I:486; II:126; III:340; IV:463
Saint-Saens Septet: I:145; II:75; III:75; IV:194
Sallinen #3 String Quartet: total:311
Schickele #4 String Quartet:
I:81; II:111; III:47; IV:44; V:110; VI:53; VII:20; VIII:167
Schickele Dream Dances: I:29; II:70; III:128; IV:112; V:47
Schmid Opus 28 Wind Quintet:
The printed rehearsal letters are adequate without numbering the part.
Schnitke Piano Quintet:
I:74; II:296; III:60; IV:64; V:200
Numbering is per the Peters edition. In movement III the unmetered section
between double bars is measure 27, and the following 5/4 bar is measure 28.
In movement V the empty bars at the end are counted as measures 199-200.
Schnittke Piano Quintet:
I:74; II:296; III:60; IV:64; V:200
Numbering is per the Peters edition. In movement III the unmetered section
between double bars is measure 27, and the following 5/4 bar is measure 28.
In movement V the empty bars at the end are counted as measures 199-200.
Schnittke String Trio: I:250; II:181
Schoenberg #2 String Quartet: I:233; II:275; III:77; IV:156
Schoenberg Kammersinfonie Opus 9:
The printed rehearsal letters are adequate without numbering the part.
total: 593
Schoenberg Opus 7 String Quartet: total:1320
Schoenberg Pierrot Lunaire:
The score and parts come with printed measure numbers.
Schoenberg Verklaerte Nacht: total:418
Schoenberg-Webern Kammersymphonie Opus 9:
The printed rehearsal letters are adequate without numbering the part.
Schoenberg-Webern Kammersymphonie Opus 9:
The printed rehearsal letters are adequate without numbering the part.
Schoenfield Cafe Music: I:295; II:105; III:319
Schubert Cello Quintet: I:445; II:94; III:270; IV:429
Schubert D Minor String Quartet: I:341; II:172; III:164; IV:754
Schubert Der Hirt Auf Dem Felsen: total:349
Schubert Fantasy D940 Opus 103: total: 570
Schubert G Minor Opus Posthumous String Quartet: I:215; II:139; III:82; IV:362
Schubert Octet: I:340; II:166; III198; IV:166; V:98; VI:423
Schubert Opus 125#1 String Quartet: I:255; II:58; III:89; IV:470
Schubert Opus 125#2 String Quartet: I:232; II:96; III:83; IV:262
Schubert Opus 161 String Quartet: I:444; II:228; III:198; IV:707
Schubert Opus 168 String Quartet: I:364; II:134; III:110; IV:380
Schubert Opus 29 String Quartet: I:296; II:125; III:115; IV:318
Schubert Quartetsatz String Quartet: total: 315
Schubert Trio D581:
I:86; II:57; III:66; IV:230
There are two versions of this trio; Schubert revised the piece shortly
after he composed it. The measure counts given above are taken from
the Baerenreiter New Schubert Edition of the second version of the
trio. Many editions, including the Complete Edition that Dover
reproduces, are based on the first version, as the parts for the
second version were rediscovered long after Schubert died. In the
first version, movements I and II are 82 and 56 measures, respectively.
Schubert Trio Opus 100: I:634; II:212; III:174; IV:748 (uncut version: 847)
Schubert Trio Opus 99: I:316; II:132; III:151; IV:654
Schubert Trout Quintet: I:317; II:121; III:170; IV:172; V:472
Schulhoff #1 String Quartet:
I:135; II:77; III:97; IV:67
The Universal Edition has rehearsal numbers at 10 bar intervals.
Schulhoff 5 Pieces String Quartet: I:79; II:73; III:74; IV:58; V:233
Schulhoff Concertino: I:62; II:153; III:69; IV:72
Schulhoff Divertissement: I:33, II:69, III:34, IV:76, V:70, VI:49, VII:77
Schulhoff Sextet: I:128; II:73; III:171; IV:76
Schuller Suite Wind Quintet: I:79; II:31; III:98
Schumann Fairy Tales: I:71; II:168; III:70; IV:93
Schumann Opus 41#1 String Quartet: I:352; II:191; III:67; IV:320
Schumann Opus 41#2 String Quartet: I:276; II:112; III:195; IV:222
Schumann Opus 41#3 String Quartet:
I:226; II:255; III:105; IV:292
Do not count the partial measure at the start of the 'Tempo risoluto'
after measure 192 in the second movement. Measure 193 is the first
full measure of the 'Tempo risoluto'.
Schumann Piano Quartet:
I:355; II:217; III:130; IV:324
Sections of the Scherzo movement which are written with repeats in the
string parts have those sections written out in the piano score (at least
in Edition Peters.) The following plan will allow everyone to have the
same numbers: in that movement the numbers in the piano part should restart
with 17b after bar 32, and should restart with 153b after bar 176 in Trio II.
The same thing may happen in the Finale. There is a repeat from measure
160-175 in the string parts which may not be present in the piano part.
If that is the case, the pianist should restart with measure 160b after
bar 175.
Finally, there is a double bar in the middle of measure 277 of the Finale.
Be sure to count the measure only once.
Schumann Piano Quintet:
I:338; II:193; III:265; IV:427
In the second, third and fourth movements watch out for measures divided
across double bars, repeats or changes of key.
Schumann Trio Opus 63: I:240; II:229; III:57; IV:437
Schumann Trio Opus 80: I:456; II:96; III:198; IV:256
Schumann, Clara Piano Trio: I:287; II:170; III:80; IV:326
Shapero Serenade For String Quintet: I:253; II:155; III:104; IV:130; V:407
Shapero Six For Five Wind Quintet: The parts and score are pre-numbered.
Shawn #1 Wind Quintet: I:152; II:32; III:140
Shawn #3 Wind Quintet: I:81; II:48; III:94; IV:34; V:18; VI:152
Shawn Sextet: I:117; II:157; III:90; IV:53; V:200
Shostakovich #1 String Quartet: I:123; II:85; III:202; IV:218
Shostakovich #10 String Quartet: I:241: II:347: II:107: IV:526
Shostakovich #11 String Quartet:
I:54: II:196; III:21: IV:50: V:43: VI:77; VII:100
Shostakovich #12 String Quartet: I:172; II:498
Shostakovich #14 String Quartet:
I:294; II:153; III:310
In the Sikorski Edition, the viola part contains 2 extra bars, which need to
be expunged: 1) at bar 85, there is only one bar of rest rather than two;
2) at bar 110 there is no measure of rest.
Shostakovich #2 String Quartet:
I:289; II:123; III:396; IV:408
In the Soviet complete works edition of the score, all measures in
endings are counted; when using this score adjustments in the counts
will need to be made in the first movement to agree with the Conference
numbering conventions.
Shostakovich #3 String Quartet: I:272; II:196; III:240; IV:82; V:378
Shostakovich #4 String Quartet: I:164; II:184; III:156; IV: 377
Shostakovich #5 String Quartet: I:481; II:209; III:489
Shostakovich #6 String Quartet: I:362; II:310; III:89; IV:346
Shostakovich #7 String Quartet: I:218; II:76; III:362
Shostakovich #8 String Quartet: I:126; II:349; III:301; IV:187; V:88
Shostakovich #9 String Quartet:
I:169; II:88; III:281; IV:95; V:709
In the Sikorski and DSCH edition scores, the measure numbers are incorrect
in the fifth movement starting at bar 662.
Shostakovich Piano Quintet:
I:121; II:171; III:279; IV:101; V:289
Rehearsal numbers are plentiful enough and uniform across known editions
that measure numbers are not really necessary.
Shostakovich Prelude And Scherzo:
I:117; II:270
In the Violin III part, in the second movement at bar 122, there should be
11 measures of rest rather than 10.
In the Viola I part, the 10th bar of the second movement is missing
(it should look like bar 8.)
In the Cello II part, at bar 79 in the first movement, there is a key change
to C major which should not be there. The entire movement is in one flat.
Shostakovich Trio Opus 67: I:248; II:284; III:53; IV:407
Sibelius Voces Intimae String Quartet: I:140; II:183; III:129; IV:305; V:354
Simpson Quintet For Clarinet Bass Clarinet And String Trio:
The parts and score are pre-numbered.
Smetana #1 'From My Life' String Quartet: I:262; II:250; III:97; IV:285
Smetana Piano Trio:
I:315; II:259; III:607
The printed measure numbers in the Baerenreiter Edition don't conform to
our rules in the second movement, so renumbering there is required.
Smit Sextuor: I:138; II:85; III:136
Sollberger Grand Quartet:
Printed in score form only. The score has printed measure numbers.
Spohr 6 German Songs: I:52; II:26; III:20; IV:35; V:43; VI:117
Spohr Nonet Opus 31: I:253; II: 233; III:110; IV:423
Spohr Octet Opus 32: I:136; II:297; III:107; IV:299
Spohr Septet Opus 147: I:250; II:88; III:188; IV:353
Stanford Nonette Opus 95: I:237; II:176; III:203; IV:381
Steinberg War Piece: I:148; II:96; III:145
Steinmetz Wind Quintet: The parts and score are pre-numbered
Stern Fantasy On A Maccabee Song:
The printed rehearsal letters are adequate without numbering the part.
Strauss 4 Pieces: I:212; II:90; III:111; IV:145
Strauss Opus 2 String Quartet: I:245; II:186; III:120; IV:482
Strauss Till Eulenspiegel Einmal Anders!: total:359
Strauss-Carp Till Eulenspiegel!: total:657
Stravinsky L'Histoire Du Soldat: I:84; II:106; III:148; IV:280; V:73
Stravinsky Septet:
The printed rehearsal letters are adequate without numbering the part.
Svoboda Summer Trio: The parts and score are pre-numbered.
Szervansky (1953) Wind Quintet: I:197; II:91; III: 77; IV:279
Szervanszky (1953): I:197; II:91; III:77; IV:279
Szervanszky Fuvola Trio: I:204; II:137; III:76; IV:155
Taffanel Wind Quintet: I:399; II:157; III:508
Taneyev Trio Opus 21: I:165; II:174; III:74; IV:176
Tann 'The Walls Of Morlais Castle': total:291
Tansman Trio D'Anches:
I:28; II:66; III:13; IV: 89
In the second movement, the bassoon part is missing bar 43. In addition,
the score prints rehearsal number '3' as '4', and '4' as '5', using '5'
twice. Another fine example of the traditional quality of French
publishing.
Tchaikovsky Opus 11 String Quartet: I:181; II:184; III:156; IV:428
Tchaikovsky Opus 30 String Quartet: I:629; II:169; III:134; IV:360
Tchaikovsky Piano Trio:
I:478; II.A:544; II.B:298
There are two locations in movement #1 where a double-bar appears in the
middle of a measure: #60 and #304, the second of which is further confused
by a page-turn in the Peters edition.
There are 3 editions at IMSLP. The third one (1951 Aleksandr Goldenweiser)
has measure numbers every 10 bars, but bizarrely restarts numbering at #1
for each variation; moreover there is a misplaced 30 at measure #29 of
Variation 11.
The Peters and International editions have identical rehearsal letters.
Tchaikovsky Souvenir De Florence: I:769; II:204; III:260; IV:480
Temperley #4 String Quartet: I:210; II:58; III:148; IV:158
Thompson Suite: I:135; II:28; III:44; IV:69; V:137
Virgil Thomson #2 String Quartet: I:224; II:206; III:63; IV:205
Thuille Sextet: I:298; II:152; III:163; IV:411
Torke Two Girls On The Beach Wind Quintet: total:503
Tower Night Fields String Quartet: The sole edition (AMP) is pre-numbered.
Turina Piano Quartet: I:128; II:203; III:206
Turina Trio Opus 35: I:191; II:252; III:210
Turina Trio Opus 76: I:160; II:146; III:185
Turnina Oracion Del Torero String Quartet: total: 195
Uhl Kleines Konzert: I:226; II:87; III:321
Vasks Music For A Deceased Friend Wind Quintet:
The music is clearly marked with rehearsal letter, so numbering will not be
necessary.
Vaughan Williams A Minor String Quartet: I:124; II:114; III:117; IV:51
Vaughan Williams G Minor String Quartet: I:357; II:72; III:108; IV:459
Vaughan Williams Phantasy Quintet:
The Stainer and Bell Edition has rehearsal letters at 10 bar intervals,
so numbering should not be necessary.
Vaughan Williams Piano Quintet In C Minor (1903): I:388; II:178; III:244
Verdi String Quartet:
I:220; II:198; III:172; IV:207
In the International Edition, the third movement da capo is written out;
the original numbers should be reused.
Villa-Lobos Wind Quintet: total: 307
Villa-Lobos #10 String Quartet: I:183; II:89; III:340; IV:252
Villa-Lobos #6 String Quartet:
I:240; II:126; III:57; IV:258
Rehearsal numbers are plentiful enough in the AMP Edition that measure
numbers are not really necessary.
Villa-Lobos Fantasie Concertante (1953): I:242; II:75; III:116
Villa-Lobos Quatuor: I:116; II:80; III:161
Villa-Lobos String Trio: I:249; II:104; III:208; IV:195
Villa-Lobos Trio:
I:234; II:127; III:258
In the OBOE part, movement III, rehearsal number 15 is misplaced; it
should be at bar number 126
in the OBOE part, movement III, rehearsal number 27 is also misplaced; it
should be at bar number 253.
In the CLARINET part, movement III, rehearsal number 27 is omitted; it
should be at bar number 253.
Walter Octet: I:328; II:454; III:206; IV:450
Walton String Quartet: I:455; II:342; III:163; IV:216
Webern Piano Quintet (1907): total:369
Welcher Wind Quintet: I:141; II:89; III:139
Wellesz Oktett:
The parts and score are numbered in the only available edition
(Verlag Doblinger.)
Westergaard #2 Wind Quintet:
The parts and score are pre-numbered in the only edition.
Wilder #1 Wind Quintet: I:62; II:120; III:190; IV:290
Wilder #3 Wind Quintet: I:77; II:86; III:122; IV:103
Wilder #9 Wind Quintet: I:78; II:47; III:54; IV:52
Witt Septet: I:182; II:79; III:95; IV:177
Wolf Italian Serenade String Quartet:
total:643
The pre-numbered International Edition has inexplicable gaps in the bar
numbers at various spots and inconsistencies throughout. The numbers
need to be redone.
Zemlinsky #1 String Quartet: I:262; II:199; III:131; IV:384
Zemlinsky Clarinet Trio: I:231; II:142; III:316
Zyman Wind Quintet: I:199; II:119; III:248